COURTNEY MORGAN

Courtney Morgan is an artist, storyteller, and environmental advocate of Jamaican descent, who’s work redistributes power by using art as a social practice. Codesigned with vulnerable communities, Morgan’s civic-scale projects have engaged hundreds both on the street and in venues such as the Reginald F. Lewis African American Museum and Parsons School of Design. Morgan’s environmental art practice explores the interactions found in the natural and built environments. Morgan’s interest lay in the layers between storytelling that amplifies marginalized narratives, preservation of spaces and histories, and collective dreaming alongside communities. The works created by Morgan are multimedia and vary in scales from temporary block interventions to audio experiences to mixed media paintings.

NATALIA PINZON GRANADOS

Natalia is a multidisciplinary storyteller committed to achieving social equity in the global South by strengthening organizations that drive systemic change. Trained in social sciences and design strategy, her creative practice as an amateur ceramist and enthusiastic writer was once a private pursuit. However, in recent years, Natalia has been exploring how creative thinking and artistic expression can nurture her professional work. Her History master's thesis delved into the role of artistic exhibitions in preserving the history of the Colombian armed conflict, underscoring her passion for the intersection of past, present, and future. Natalia believes that preserving collective memories of underserved or historically marginalized communities can empower them to reimagine flourishing and equitable futures.

XINAN HELEN RAN

Xinan Helen Ran (b. 1994. Inner Mongolia, China) is an artist who specializes in fabric, language, and found objects to construct emotional landscapes. She searches for the point where trauma, nihilism, and humor converge. Ranked “Highbrow and Brilliant” by the New York Magazine Matrix, Xinan is a 2024 More Art Commission Artist, a 2024 New York State Council on the Arts grant recipient, and a 2024-25 MacDowell Fellowship artist. Xinan has exhibited nationally and internationally at Essex Flowers (2024, New York), Inna Art Space (2023, Hangzhou), Hauser & Wirth (2021, New York), and collaborated on public projects with Harvard Peabody Museum of Archaeology (2023, Cambridge, MA), Beam Center (2022, Governors Island, New York), and Clover Nature (2021, Shanghai). She was a mentee in New York Foundation for the Arts’ Immigrant Artist Mentoring Program (2023), a Lower Manhattan Cultural Council Arts Center resident (2022), and an Ox-Bow Summer Fellow (2016). Xinan is also an art educator, an art administrator, and an aspirational set designer for new theaters.

Website: www.xinanran.work
Instagram: @hdogthefurtrader

The Mandarin Project:
How did the mandarin become the most-consumed citrus fruit in the US and symbolize American agricultural prowess, despite its original association with Chinese bureaucrats in the 17th century? The Mandarin Project is an interdisciplinary initiative that delves into the dual interpretations of "Mandarin," referring simultaneously to a fruit and a language. It interweaves art, senses and dialogues around migration. It explores the multifaceted concept of “Mandarin”- as a fruit, a language, a symbol of diasporic identity, and a metaphor for lives lived outside of one’s origins. The proposed Culture Push Fellowship workshops are an initial phase of this interdisciplinary endeavor, which will eventually lead to, in its final presentation, the creation of video pieces, sculptural installations and multi-sensory displays.

BENEDETTA PIANTELLA

Benedetta is a humanitarian technologist, design researcher and educator. She has been involved in international development for two decades, ever since her experience of surviving the tsunami in 2004. She has also been teaching in different disciplines and across age groups, from Lego Robotics to K-12 students to HCI, Physical Computing and Critical Engineering to graduate students at NYU. She co-founded two R&D companies focused on producing sustainable solutions to social challenges globally and forged partnerships with organizations such as the UN, UNICEF, The Earth Institute, as well as Universities and multiple NGOs. Her practice focuses on applying Systems Thinking and User-Experience Design to ensure equitable access to life-sustaining resources often through networked and distributed infrastructure. She currently teaches at NYU Tandon School of Engineering in the Integrated Design & Media (IDM) Program.

Project Description: This project is a collaborative adventure that unites environmental educators, climate activists, and community organizers in a shared mission to investigate, challenge, deconstruct STEAM education within Community Gardens. Community gardens serve as vibrant sites of resilience and offer unique opportunities for hands-on ecological experiences. Through shared cultivation, community members not only nurture the land but also cultivate social bonds, fostering a sense of belonging and mutual support, contributing to the resilience of their community. Through a participatory research and co-design journey, the aim of this project is to facilitate the co-development of a choose-your-own-adventure curriculum to be distributed across public green spaces. The series of workshops that will eventually emerge through this process will be centered on fostering resilience by weaving together shared values, non-human perspectives, environmental phenomena and planetary rhythms together with media experimentations and appropriate community technologies.

DAMONIQUE BALLOU

DaMonique Ballou (she/her) is a storyteller, producer, and educator. She’s a black girl believing the theater entertains, educates, and connects audiences; the stage is a playground, a classroom, and a freeway.  She co-produced “2PlaysDays”, a 2-day series of staged readings and  mental health workshops inspired by two plays about families responding to a loved one with bipolar disorder; self-produced a staged-reading of her one act; and co-produced a multimedia exhibit on bipolar disorder. Currently, she’s co-producing Camille Simone Thomas’ “Mud: or when things get messy and how we live with it” through the SheNYC Arts Summer Theater Festival. She’s taught theater workshops through Sadie Nash Leadership Project, Columbia University and DreamYard. She’s an alumna of Barnard College and New York University Steinhardt.

Project Description: “2 Plays, 2 Days” is a series of performances, talkbacks, and community discussions about bipolar disorder inspired by two plays: “Mud: or when things get messy and how we live with it” by Camille Simone Thomas and “Our Name is Mara” by DaMonique Ballou

SINNAMON LOVE

Sinnamon Love is a visual artist, writer, community organizer, and Black feminist pornographer living with a Traumatic Brain Injury in New York City. She is the Executive Director of the Black, Indigenous, and People of Color (BIPOC) Collective. For over 30 years, Sinnamon has created media that shift narratives around sex work, BDSM, disability, and motherhood. She was inducted into the AVN and Urban X Awards Hall of Fame.

Love is currently using her career as a sex worker and adult filmmaker as a research subject as an archivist and memory worker through Archiving the Black Web, a project of Northeastern University and The College of Wooster. She uses the multimedia project to create a digital archive of images, videos, interviews, panels, academic journals, art, writing, tweets, blogs, and other media she has appeared in and produced. The project builds on Black feminist theory, art history, porn and sex work studies, sex education, and ethical non-monogamy to create theory about being a Black, disabled, and parenting sex worker. Her writing can be found in “Hos, Hookers, Call Girls, and Rent Boys: Professionals Writing on Life, Love, Money, and Sex” (2009,) Fifty Writers on Fifty Shades of Grey” (2012,) “The Feminist Porn Book: The Politics of Producing Pleasure” (2018). More recently, she wrote the afterword for “Body Autonomy: Decolonizing Sex Work & Drug Use” (May 2024,) “Coming Out As A Porn Star 2 (October 2024,) and “Black and Asian Feminist Solidarities” (May 2025). Her thoughts, words, and insight can be found in the NY Times, Business Insider, NPR, Five Thiry Eight, GQ Magazine, Cosmopolitan, British Glamour, Fast Company, Vanity Fair, Complex, Whoreible Decisions, Missy Magazine, and numerous podcasts, books, and academic journals.

Sinnamon’s philanthropic work stems from lived experience as an unhoused youth in the sex trades and systemic inequities that influenced her work in both legal and criminalized forms of sexual labor. She serves on the Steering Committee of The National Survivor Network, one of the largest networks of pro-sex work and pro-decriminalization anti-trafficking organizations. She is a former fellow of the Sex Worker Giving Circle. As a committee member of ‘me too’ International’s Survivor’s Agenda, Love strives to ensure sex workers are included in conversations on ending sexual violence. She lends her voice to Freedom Network, Coalition to Abolish Slavery and Trafficking (CAST) Los Angeles, Decrim NY, and Free Speech Coalition to advocate on the city, state, and federal levels for sex workers’ rights and to end sex trafficking, financial and banking discrimination.

Black, Indigenous, and People of Color (BIPOC) Collective is an organization providing financial assistance and increased access to mental health and wellness resources, domestic violence intervention, and labor advocacy to Black and Brown sex workers in the formal and informal sexual economy. Sinnamon identifies as a kinky, pansexual, solo-polyamorous grownup, lifestyle switch, retired full-service sex worker, and professional Dominatrix. She is a vibe curator, yogi, Hip Hop & House head, cannabis enthusiast, recovering serial monogamist, #naturallygrey, and happily #singleinbrooklyn. 

You can find out more about Sinnamon at SingleinBrooklyn.com

Social Media: Twitter / Instagram / IG Backup / TikTok / Website

ANNA RG

Anna RG (she/they) makes work in composition, traditional music, sculpture, and community organizing. Based in Lenapehoking/Brooklyn, her experimentation is rooted in a decade of apprenticeships in communities of traditional song, fiddle and banjo in Appalachia; and more recently in her experiences with long covid and disability justice community.

Her longtime folk music/theater duo Anna&Elizabeth was heralded a “a radical expansion of what folk songs are supposed to do”(The New Yorker). Smithsonian Folkways artists, they performed at Carnegie Hall, the Newport Folk Festival, the Hirshhorn Museum, Big Ears Festival (where she was guest curator of traditional music), and NPR’s Tiny Desk Concert. She has performed at Carnegie Hall, Newport Folk Festival, The Stone, Cafe Oto, Big Ears Festival (where she was guest curator of traditional music), NPR’s Tiny Desk Concert, and many other venues which are not currently accessible to high risk/immunocompromised artists, and played with musicians across genres, including Lonnie Holley, Cochemea Gastelum, Susan Alcorn, Ellen Fullman, Sarah Hennies, and wrote a piece for the award winning Aizuri Quartet.

She recently completed her MFA in sculpture at Bard College, was part of the recent Tulca Artist Festival in Galway, Ireland, and took part in an annual High Risk Club in Dublin, hosted by the Chronic Art Collective. She is a proud member of RAMPD (Recording Artists and Music Professionals with Disabilities), and an active member of the NYC Mask Bloc, and is one of the many founders of a new initiative CLEAR THE AIR NYC, a collective of disabled organizers committed to supporting covid-safer events in the city, through an air filter library, masks, education, and resources. 

SICK CENTER is an organization dedicated to supporting sick music-making and sick forms of listening, beginning with a budding archive of sick music history, and a song service for the sick by the sick. To take an audio tour of the Ridgewood Sick Center, or to request a song, visit our website at www.sickcenter.net

LAUREN COVEY

Lauren Covey (b. 1982 Lynchburg. Virginia) is an artist working with sound, video, installation, photography, and performance. After completing a B.S. in Fashion Design from Drexel University and working in the fashion industry, Covey studied at the Art Students League before receiving an MFA in Sound Art from Columbia University in 2021. Simultaneously she worked as a peer counselor in the mental health field, and sound has always been an essential part of her mental health. Covey hopes that her artwork can inspire social change through advocacy and her involvement in the community. Her work has been exhibited at the Governors Island Art Fair, Fridman Gallery, and Fountain House Gallery.

http://laurencovey.com/

MAHO OGAWA

Maho Ogawa is a Japanese born multidisciplinary movement artist working in NYC since 2011. Her work has delved into building a choreographic language based on nuances and isolated movements of the body that she has built a database, “Minimum Movement Catalog”. She uses body, video, text, computer programming, and audience-participatory methods to discover how relationships and the environment affect individual bodies consciously and subconsciously.

Her works have been presented in N.Y. at Domestic Performance Agency, Invisible Dog Art Center, Emily Harvey Foundation, White Box Gallery, Movement Research at the Judson Church, Snug Harbor Cultural Center, NYU Grey Gallery, CPR as well as in Korea and Japan at Za Koenji, Tokyo Culture Creation Project, and Whenever Wherever Festival to name a few.

Her recent works are in part decontextualizing and researching minimum movement found in Japanese tea ceremony rituals as well as cinema. She's currently working on public events inspired by Japanese tea rituals to build new methods of thinking about “silence,” providing a quiet but active mindset to heal and unite the community.  The aim is to empower the erased cultures by dismantling oppressed body gestures and their context as an archive and audience-participating event, fighting for cultural equality in nonviolent ways.

VERONICA AGARD (IFÁṢADÙN FÁSANMÍ)

Veronica Agard (Ifáṣadùn Fásanmí) (she/her) is a poet, writer, abọ̀rìṣà, community educator, and connector at the intersections of Black identity, wellness, representation, and culture. She curated the Who Heals the Healer series and the conference of the same name and facilitates the Ancestors in Training educational project. Her initiatives are housed in her freelance platform, Vera Icon, LLC. Through archival research at the Centro de Investigaciones Regionales de Mesoamerica (CIRMA), she completed her undergraduate thesis on the complex histories of sexual assault and violence against women in post-conflict Guatemala. In 2014, she graduated from CUNY City College of New York with a BA in international studies and history and continued her community work as a co-founder of Sister Circle Collective, a role she held for five years.

She is invested in cultures of healing, and experiments with creative healing modalities and puts theories learned into practice. This came to life during the first generation of the Reparations: Black Wellness Clinic, a free healing clinic for and by Black people that was housed at Earth Arts Center and continues with metaDEN. Building on her community work, she served as a college advisor for three generations of Black and Brown youth in Brooklyn and taught at the Summer Institute of the Sadie Nash Leadership Project. In addition, she was a contributing editor at Your Magic, a podcast and digital community, and is a member of the Board of Directors of the Institute for the Development of Human Arts. No matter the role, Veronica offers her expressions and time to amplify the voices of those that walk with her.

GIOVANNAH MARVEIGE

Giovannah Marveige is a Divine Being who manifests in ways that have been assigned, chosen, and revealed. The child of many, Giovannah is a 1st generation settler born on occupied and colonized Indigenous lands. Their heritage is Haitian and genealogy evidence of the Transatlantic Slave Trade. Giovannah’s pronouns are: Divine Bing, Ife, We, They, all pronouns are accepted.

Giovannah and their work are rooted in and informed by Global Majority feminism, socially engaged Buddhism, compassion, care, play, equity, joy, and rest. They are employed in the fields of communications, development, and grant writing. As an interdisciplinary conceptual artist, Giovannah explores themes of identity, race, body/The Body, and living history while integrating notions of stewardship, social practice, and research on the climate crisis into this framework. Learn more at Marveige.org

EMILY BASS

Emily Bass is an author, activist and artist who witnesses, documents and interrogates the intimate and global forces that turn pathogens into pandemics, and place some bodies at greater risk. Her first book, To End a Plague (PublicAffairs, 2021) was shortlisted for the 2022 Lionel Gelber Prize for best English language book on foreign affairs. Her writing has appeared in The Globe and Mail, The New York Times, The Washington Post, n+1 and many other publications, including zines published by the What Would an HIV Doula Do collective, of which she is a member.

QUINLAN MAGGIO

Quinlan Maggio is an artist and tech worker based in Brooklyn, New York. Quinlan makes site-specific installations, videos and objects informed by a constant ongoing practice of performance. Through these mediums Quinlan processes experiences of workplace alienation and solidarity and synthesizes those experiences into artistic works that explore questions of labor and the artist’s studio as a site of production. Through this process of reforming and reimagining our relationship to work, Quinlan creates spaces for collective conversations about work, labor and technology through solo performance, immersive installations, and socially engaged projects.

Quinlan's most recent project was a free community vending machine on the Hunter MFA campus, inspired by community fridges, free food in tech workplaces, and family history. Past performances include a design lesson⁠ performed as a chair dance, a karaoke performance for former coworkers, interviewing at corporations like Facebook and Amazon in order to refuse job offers, and walking around Times Square with a layoff box.

ZOE C. BERGER

Zoe C. Berger is a digital artist using live interactions to highlight our experience of time, dimension, and materiality. Live video mixing, lighting design, and interactive programming provide a diverse arsenal for creating phenomenal art pieces and environments. Zoe is an alumni of CCNY's DIAP MFA program, with a previous educational background in Physics (B.S. Stoney Brook University) and Studio Art (B.A. CCNY).

Her Teaching work, titled "Glitch" uses Scratch to teach computer programming to children aged 6 - 12, by addressing technology as a shared birthright, and error messages as a necessary part of code writing. In order to introduce basic concepts such as timelines, coordinate systems, storyboards, sprites, loops, and remixes, Zoe is developing a screen free alternative to teaching computer science at the elementary school level. She will be distributing the packets of materials through the New York Public Library system as take-home projects.

ANDREW INGALL

Andrew Ingall has been working in arts, culture, and community engagement for over twenty years as a curator, scholar, writer, performer, and producer. He received a B.A. from Columbia College and an M.A. in Performance Studies from Tisch School of the Arts, New York University. His collaborators have included cultural workers, artists, scholars, faith leaders, activists, health care professionals, and funeral directors.

With a background in theater, performance, and museum studies, Andy has organized exhibitions and public programs for The Brooklyn Museum, Electronic Arts Intermix, The Samuel Dorsky Museum of Art at SUNY New Paltz, Wave Hill, and other cultural institutions. His writing and research has appeared in Videofreex: The Art of Guerrilla Television (SUNY Press), Gastronomica: The Journal of Food and Culture, and other publications. This year Andy is taking part in LABA NY, a fellowship based at Manhattan's 14th Street Y and part of a global cluster of hubs that includes Berlin, Buenos Aires, and Northern California.

ANDREW’S PROJECT:

Warlé is a multi-platform project that re-envisions my cousins’ mid-century boutique as a pop-up site for discussion, storytelling, and art that inspires action on behalf of LGBTQ+ elders and refugees. Using archival documents, photography, original artifacts, and recreations of objects, my goal is to re-assemble the personal and professional lives of Leon Ingall and Warren Kronemeyer. They co-founded Warlé, a small business specializing in antiques, contemporary objects, art framing, restoration, and interior decoration.  Leon was a Jewish refugee and fashion designer who fled Bolshevik Russia, relocated to Weimar Berlin, and emigrated to the U.S. in 1940; Warren was a ghostwriter, journalist, antiques dealer, and an operative of the WWII-era U.S. Office of Strategic Services. After several decades together in New York, Leon and Warren left the city in 1980 and relocated to Townshend, Vermont and became beloved citizens of this rural community. The goal of the newly re-branded Warlé is to facilitate conversations about how we care for some of the most vulnerable populations. Programming will include exhibitions of archival materials, decorative objects originally sold at the boutique, as well as new works by refugee and queer artists inspired by those artifacts.  Follow my research on Instagram @warleinc. More information at www.warleinc.com

(This is an Ongoing Fundraiser)

IKI NAKAGAWA

Iki Nakagawa is a videographer who lives and works in NY, United States. She has recorded live events including music, dance, theater and lectures for arts as well as edited footage for archive and online distributions. She has also produced shot documentaries on topic including permaculture, cooperative practice and macro-business.

For more information please visit www.ikinakagawa.com

RAY JORDAN ACHAN

Ray Jordan Achan (he/him/his) is an Indo-Caribbean, Brooklyn based actor, director, writer and producer. Ray is the Founding Artistic Director of EXILED TONGUES, a performance collective that provides financial, artistic and collaborative support to QTBIPOC artists who center diasporic consciousness. He is currently developing his documentary theater piece, “CON DOUGH: Stories of 1 in 5 Gentrified'' which premiered at the Center at West Park in February 2021 and will premiere at the Tank in May 2021. Ray is also developing his original play, “Diasporic Dreams From a Boy Who Wished He Could,” at the Rogue Theater Festival in Summer 2021. He is an Artist-in-Resident at the Asian American Arts Alliance, a Playwright-in-Resident at the Player’s Theater and an Associate Member of the Stage Directors and Choreographers Foundation. He is the recipient of the Pet Project Grant sponsored by Jeremy O’Harris and the Bushwick Starr for his play, Free Fallin’. Ray directed the World Premiere Off-Broadway production of SHARUM written by Mohammad Murtaza and Dena Igusti at the Player’s Theater. Recently, Ray directed CUT WOMAN, written by Dena Igusti and premiered at the Prelude NYC 2020 Festival. Future projects: Ray is directing his original play Free Fallin’ which is set to premiere at the Hudson Guild Theater in Fall 2021. Additionally, Ray is directing La Violecion of My PapiYon, an original play written by Arline Pierre-Louis. rayjordanachan.com | exiledtongues.com.

Gabriel Torres is a multidisciplinary artist from Colombia and New York. Gabriel’s work deals in the conversations between community engagement, creative placemaking, civic practice, theater making and film. Gabriel has worked in Hong Kong, NYC and Colombia as an educator, documentarian, theater director and community engagement consultant.

Gabriel is currently working in Haus of Dust, a campaign to bring awareness about substance use in latinx queer communities from his personal experience. Haus of Dust is successfully created as a collaboration between Gabriel, Aaron Salazar (Producer) and Kristen Kelso (Marketing and Development director), additionally a collective of 10+ artists and institutions working to bring forth the project. To learn more, visit iamdust.org

Current Project: “Haus of Dust” - Loisaida Inc, The Laundromat Project | Recent Projects: ”Mañanaland” The Tank NYC - Ass. Dir and Community Coordinator, “Distant Bodies” - 2020 - The LGBT Center & Cyber Tank - NYC .“Still - Performance for Inner Peace” 2019 - Chashama - NYC | Recent Theater Directing Credits: “LoverSpy by Anna O’connell”, PEA Fest, NYC, 2021,“Village Stories, KrisP Productions”, Hong Kong (Virtual), “Leo and his friends by Amalia Oliva Rojas”, Theater Accident, NYC (Virtual), “Caught in The Act by Anna Parisi”, Biennal Immigrant Artist Festival, NYC (Virtual).

ANAKA

AnAkA is a storyteller on the sacred path of wisdom reclamation. Born with the divine faith to create bridges between worlds, AnAkA’s storytelling approach is to honor the rooted intricate of culture, highlighting sacred elements of human connection and conscious elevation. Through visual, audio, herbal and tattoo practices, AnAkA creates portals of healing for their global community.

AnAkA has shown her work at Chale Wote Fest in Ghana, Lagos Photo Fest in Nigeria, The Portland Arts Museum in OR, and has curated solo shows in Cape Town, New York and LA. She has recently been announced as one of the 27 chosen artists to showcase their AKTIV8 Archive project at The Shed in Manhattan in June 2021.

AKTIV8 Archive is a continuous creation & love-child birthed by AnAkA in the year 2014. The AKTIV8 Archive creates a sacred safe space of wisdom, bridging the gap between cultural preservation and global accessibility to knowledge. AKTIV8 Archive reconstructs what it means to preserve cultural wisdom with the safety of Black & other Indigenous folks at the forefront of its consciousness. Seeking sovereignty of storytelling, wisdom sharing and cultural growth, AKTIV8 Archive creates a literal map of global key movements persevering through times of great change. It provides an equator the sacral experience of urgent expressions and revolutions. Ase o

“I was born and raised throughout Los Angeles, but I consider Mid-City, Ladera and Windsor Hills my stomping grounds. I graduated from Bryn Mawr College with a B.A. in Sociology in May of 2013. I hold a certification in Advanced Youth Development, and serve as an Ambassador for Ethical Global Engagement with Omprakash. With over 7 years of experience as a teacher, tutor, and youth advocate, my work has spanned the field of education. I am currently based in the Brownsville community of Brooklyn, NY. I find inspiration in many places and have lived in Costa Rica and China. My work is also heavily connected to exploring my ancestral roots. Namely, I create through the West African and Native American principles of "no art for art's sake." Both beauty and functionality are equally important in creating new futures for Black and Brown communities. “ - Khadijah McCaskill

KHALIF TAHIR THOMPSON

Khalif Tahir Thompson is best recognized for his powerful work concentrated in portraiture and figuration. Incorporating painting, drawing, collage, printmaking, and paper-making into his practice, he explores notions of self through varied subjectivity concerning identity, race, iconography, as well as family and relationships. Recently he graduated from Purchase College with his Bachelors in Fine arts degree and completed a fellowship at the EFA Robert Blackburn Printmaking Workshop in NYC, the Vermont Studio Center and Trestle Art Space. He is currently represented by Black Art In America LLC.

TASHA DOUGE

Tasha Dougé is a Bronx-based, Haitian-infused artist, artivist and cultural vigilante.  Her body of work activates conversations around women empowerment, health advocacy, sexual education, societal "norms," identity and Black community pride.  Through conceptual art, teaching, and performance, Dougé devotedly strives to empower and to forge broad understanding of the contributions of Black people, declaring that her "voice is the first tool within my art arsenal."  

She has been featured in The New York Times, Essence Magazine and Sugarcane Magazine.  She has shown nationally at RISD Museum, The Apollo Theater and Rush Arts Gallery (Philadelphia).  Internationally, Dougé has shown at the Hygiene Museum in Germany.  She is alum of the Laundromat Project's Create Change Fellowship, Urban Bush Women's Summer Leadership Institute, The Studio Museum of Harlem's Museum Education Program and the Caribbean Cultural Center African Diaspora Institute's Innovative Cultural Advocacy Fellowship.