hú-tu (Laura & huiyin zhou)
2024-25 Culture Push Fellows
hú-tu (Laura 嘟嘟 & huiyin zhou) is an artist duo with backgrounds in social practice and anthropology, working across moving image, photography, performance, and collaborative writing. Since 2020, huiyin and Laura have collaborated on over 40 performances, workshops, and exhibitions exploring diasporic queer identity, family memory, generational trauma, and collective grief through ritualistic and community-centered processes.
Dedicated to multidisciplinary art and transnational organizing, Laura and huiyin co-founded and co-direct the Chinese Artists and Organizers (CAO) Collective 离离草. They also facilitate the Survivors Anchoring Art Narrative Garden (SAANG Project 春风吹), a co-creative, imaginative land for sexual and racial abuse survivors. hú-tu creates spaces of co-living and collective rest to (re)imagine and (re)learn intimacy and collective survival. Working with material, affective, residual, and conceptual presences, their works speak on/into the potential of intimate knowledge production. Responding to each others’ dream journals and familial photo/video archives, their ongoing project explores memory and home-making through a diasporic queer lens.
huiyin and Laura have been awarded residencies at Durham Art Guild, BRIClab, Pedantic Arts, and Feminist Incubator. Their work has received support from BRIC, Raleigh Arts, Foundation for Contemporary Arts, Los Angeles Contemporary Exhibitions (LACE), Queens Art Fund, Asian American Arts Alliance, Durham Arts Council, and beyond.
PROJECT : ONE THOUSAND AND ONE NIGHTS: A QUEER JOURNEY OF DREAMS AND DIASPORA
"One Thousand and One Nights: A Queer Journey of Dreams and Diaspora" is a participatory art project collecting 1001 dreams and bedtime stories from queer and queer diasporic community members living in NYC in the form of text, audio, photo, and video through group interviews, voice box messages, and online submissions.
Drawing from Chinese Taoist cosmology and shamanistic practices in Northeastern Asia, this project views dreams as one of the least surveilled/(self)-censored forms of knowledge—a direct and unfiltered means of relearning and healing. At the intersection of ongoing global conflicts, genocides, and social movements, the work holds collective dreams in a womb-like, fugitive space for (im)migrants and marginalized communities, who are constantly being put through a transitory and crisis-response state. The work asks to center rest and care and examines the radical potential of collective dreaming as a political form for creative infrastructure (re)building and alternative healing.
Past Work:
The (Ruins of) Ciba Shrine 糍粑庙 (2024)
Mixed-Media Installation, BRIC House Gallery
in collaboration with CAO Collective